Fuse #8

Friday, March 30, 2007

The Pigeon Presents (and what it's not telling you)

Hey. Wanna see Mo Willems for free? Live in the New York area? Do ya do ya, huh huh, do ya? Happen to be free between the hours of 6 and 7:30 on Thursday, April 12th? Cause here's the deal: Pigeon Man is coming to my neck of the woods as part of the Donnell Central Children's Room's Spring Lecture Series. We also have two other magnificent guests coming, but I'll keep their names under wraps for at least another week or so.

The point is, our Spring Lecture Series is sometimes woefully unattended. These big big name authors come in and we get maybe ten folks to see them, tops. So our cheese cubes go uneaten, our strawberries wilt, and our tasty treats are devoured by our oddly eternally hungry pages (who appreciate it, but... y'know). This year my blog is doing fairly well and I'm hoping that some of you out there in the Apple of Largess will be willing to come on by for FREE and see Mo speak on whatsoever enters his furry little brain. If you've seen him do his shtick before then you know he's like a stand-up comedian. And he's FREE. And there's food. And there's me (though I'll probably be on desk or something). And I'm lovely. Just a peach.

And hey, if that's not enough to whet your whistle (you dry as dirt whistlers, you) then check out Mo's newest website Pigeon Presents. Why is this a good site to visit? Aside from the animation (run, Pigeon, run!), the voices (mostly Mo), and the swooning pigeon there are little previews like....

Knuffle Bunny Too.



Like it? Want to ask Mo about it? *THEN COME TO OUR SPRING LECTURE SERIES!!!!


*To be read in the same voice as when the pigeon screams, "Let me drive the bus."

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Tuesday, February 13, 2007

So THAT's What Kelly Herold Looks Like

Ever wondered?
Well your wondering days are over, you wonder-eyed wayfarers, you. 7-Imp has the goods on the brains behind Big A little a, everyone's favorite Associate Professor of ... Russian. Who knew? I could spoil the curse word question for you, but as I am a good, saintly, near impossibly pious soul (and if you believe that then I've a bridge I'd love to sell you) I won't.

In other interviewing news, MotherReader has a nice interview with Mo Willems on the most recent issue of The Edge of the Forest. And guess what? He is ALSO an Associate Professor of Russian! Is that coincidence or what?

Oh fine. He's not. Ruin my fun.

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Tuesday, January 30, 2007

The Man Who Yelled

Because sometimes you just need a little old school retro-Mo Willems action to start the day out right.

Please check your speakers before playing this properly. It can be a bit loud when it wants to be.

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Monday, January 29, 2007

Reviews of the Day: My Friend Is Sad AND Today I Will Fly

My Friend Is Sad by Mo Willems. Hyperion Books For Children. $8.99

Today I Will Fly by Mo Willems. Hyperion Books For Children. $8.99


Two reviews! Two! I’m giving you two reviews for the price of one. Now you just can’t beat that kind of a deal.

When creative people have children, it has a tendency to affect their work in some way. In worst case scenarios you’ll have celebrities of the Madonna-like persuasion churning out picture books like there’s no tomorrow. Politicians in turn may take time off to “spend more time with their family” (which sounds good even when it isn’t true). But what happens to those people already working in the realm of children’s entertainment? How are they changed by the experience? Take as you example, Mo Willems. Here’s a fellow who was working with Sesame Street and Nickelodeon long before dipping a dainty toe into the waters of children’s book publishing. He does so, along comes his daughter, and Mr. Willems starts changing the kind of work he does. He creates deeply personal picture books like, “Knuffle Bunny” that go on to win Caldecott Honors. He performs with his daughter in a Weston Woods video. And then, most striking of all, he decides to create a book series that his child would be able to read to him. Easy reader books are, to my mind, perhaps the most difficult books to write. It takes a genius like Dr. Seuss or P.D. Eastman to convey concepts and stories with simple words. How much harder would it have to be then to make such a book not only fun to read and easy to understand but also laugh-out-loud funny? Only author Mo Willems knows for sure. Fortunately for us, the Elephant and Piggie books, “My Friend Is Sad,” and “Today I Will Fly!” are entities that stand entirely of their own. If you've never seen funny easy reading, these will soon solve that woe.

“My Friend Is Sad”, is a straightforward little story. Gerald the elephant is mighty depressed and Piggie feels that it is her duty to cheer him up. First she appears before him as a cowboy, knowing how fond he is of them. Gerald is thrilled, then immediately sad. Next Piggie is a clown, but Gerald is STILL sad. When even a time-stepping robot won’t cheer him up, Piggie goes to apologize to her friend for being unable to make him happy. Gerald explains that he is overjoyed now because Piggie is near, but that earlier he was quite unhappy when he saw a cowboy, a clown, and “a cool cool robot,” and couldn’t share these things with Piggie because she wasn’t around. Reconciled the two sit contently, and Gerald remarks that he needs his friends. Piggie can’t help but reply to the reader, “You need new glasses . . .” and all is well. In the second book, “Today I Will Fly”, Piggie is intent on one thing. Flight. Gerald remains incredulous, but his porcine companion is not to be deterred. Hopping doesn’t help and a fine leap away from a vicious dog only means that she jumps particularly well. Soon a solution is found involving a helpful pelican. Impressed, Gerald comments that perhaps tomorrow he will fly as well. “Good luck’, murmurs Piggie with a wink.

I won’t lie to you. I’m a twenty-eight-year-old woman and I’ve been reading these books over and over since I laid my hands on them. I can’t explain it. “My Friend Is Sad”, in particular tickles my fancy. I have a hard time not snickering every time Gerald explains to Piggie why it is that the cowboy he saw made him sad. “But you love cowboys!”, explains Piggie, confused. Gerald smiles and says wistfully, “I do. I love cowboys.” Next thing you know he’s grabbed Piggie by the labels and screams while shaking, “But you were not there to see him!” This cracks me up. Gerald’s despair is so melodramatic and self-absorbed that when he shouts his sorrow over the “funny funny clown” (his knees have buckled by this point, his head thrown back) Piggie can't help but stare at the viewer with the skeptical half-mast expression of someone who feels that she is having her leg pulled. I’ve just gone through and counted at least sixteen different positions Gerald puts himself through so as to convey to the viewer his complete and utter wretchedness. Sixteen, folks. In an early reader. That's class.

Look, I’m not saying that I didn’t have any respect for Mr. Willems before this book. “Don’t Let the Pigeon Drive the Bus”, is obviously an exercise in letting a simple drawing speak for itself. But the Elephant and Piggie books require an entirely different set of muscles and for that my admiration has shot up. Simple images are one thing. Simple words are another. Take “Today I Will Fly!” as your example. Like “My Friend Is Sad”, it starts off with a single premise, becomes rapidly absurd, solves the problem (with one character staring incredulously at the other), and ends on a sly joke (curiously by the same person both times). And in both cases Piggie is trying to do something and failing. Interestingly enough, Gerald is the skeptic in the book where his good friend tries to defy gravity again and again. When Piggie comes around to agreeing that a mighty leap does not constitute flight, she declares resolutely, “I will try again!” Gerald looks particularly unconvinced as he exits stage right saying, “I will eat lunch,” and an overly enthused Piggie waves, “Good-bye!”. Comedy. You dissect it and it’s not funny anymore. So I can’t really say how it is that Willems found a way to make stories this straightforward as amusing as they are. That he did is enough for me.

What we may have on our hands here are the makings of an entirely new franchise. Think about the shocking popularity of critters like “The Cat and the Hat”, for example. I don’t want to suggest that someday there will be a filmed version of Elephant and Piggie starring someone like Mike Myers, but stranger things could happen. So before the hype and the overkill set in, take some time to discover this charming twosome on your own. These books may be one of those rare creations that turn the tables so that it is the adults who will be begging their children to read them an Elephant and Piggie book again and again and again. Another hit out of the park for the Willems man.

On shelves April 1, 2007.

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Friday, January 26, 2007

The Mo Album

I was feeling all slick when my co-worker informed me that Mo Willems was responsible for the art found in and on the Park Slope Parents CD. Once again Brooklyn is at the top of its game, borough-wise. "Park Slope Parents, New York City's largest online parenting group and a resource for countless Brooklyn parents and kids, has released a CD of children’s music featuring 17 songs by well-loved musicians celebrating family life in the big city." I loved that they were kind enough to mention reviews from three of my favorite children's music blogs out there: Zooglobble, Kids Music that Rocks, and The Lovely Mrs. Davis Tells You What to Think.

Then I saw that Mr. Willems already posted about it.
No scoop for me.

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Tuesday, January 16, 2007

Willems via Searle


Cool.

Mr. Mo recently saw a Saul Steinberg exhibit that contained some work by Ronald Searle as well. Apparently Mr. Searle inspired the above work shown here by Mr. Mo. I do love me my Searle. Saw a whole lunatic exhibit of his work in London roughly 8 years ago. It may have been at the Tate. I can't remember. In any case, I do love artistic cross-pollination like this.

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Friday, January 12, 2007

Mo Willems Gets the Best Fan Mail

Well, he does.

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Sunday, April 16, 2006

Review of the Day: Why Did the Chicken Cross the Road?

Why Did the Chicken Cross the Road?
By Jon Agee, Tedd Arnold, Harry Bliss, David Catrow, Marla Frazee, Jerry Pinkney, Chris Raschka, Judy Schachner, David Shannon, and Mo Willems
Dial Books (an imprint of Penguin)
$16.99
ISBN: 978-0803730946
Ages 4-8
On shelves now


There are some jokes out there that are so classic they’ve passed the point where they’re funny anymore. Knock-knock jokes fall into this category. Light bulb jokes too. And then there’s the best one of them all. Why-did-the-chicken-cross-the-road jokes. Boy oh boy you just can’t make anyone laugh with one of those anymore, can you? Well that’s the way my thinking would have gone had I not picked up a bizarre little picture book title by the same name. In this book fourteen different children’s illustrators are each granted a two-page spread to offer their answer to this, the oldest of questions. No two answers are exactly alike and no two illustrators have styles even vaguely similar. It makes for a book that kids will adore, grown-ups will pore over, and incipient illustrators will want to keep very close at hand.

So why did the chicken cross the road? The answer may surprise you. Marla Frazee, illustrator of things like Roller Coaster, and the recent smash hit, Walk On: A Guide For Babies, shows a determined chicken crossing a road away from a rain-soaked gray-skied chicken coop towards a blue-skied brightly colored fun-factory of a building. Her single thought: “duh”. Turn the page and Mo Willems has taken an entirely different tack. In the gloom of a police department some hard-boiled cops are giving a very nervous chicken (note the number of eggs under its chair) the third degree. The chicken itself is insisting that “I just did it to get to the other side! Honest!”. To one side a detective is pouring the contents of a significant looking charcoal bag onto a grill. The entire book is like this. David Shannon taps into a vein not dissimilar from his beloved Duck On a Bike to show us chicken at the wheel of a fancy red convertible. Flip further through the book and you see pictures by everyone from the great Jerry Pinkney to the far-out Mary Grandpre and the more than slightly twisted machinations of David Catrow. Here you may find more answers than you ever could have thought up yourself.

The great joy of a book like this is that it also serves to introduce people to hitherto unknown illustrators. I remembered most of the people from this book before, but then there were people like Chris Sheban who’d entirely escaped my notice in the past. Mr. Sheban’s picture is an evocative piece where one chicken has accidentally hit a baseball over another chicken’s head and into a window. The two stand poised in a kind of frozen shock as late afternoon light seeps over the suburban scene. Or there was Judy Schachner who’s tiny-brained chick, “wasn’t just free range ... she was de-ranged!”. I suppose my favorite pictures in here were from people who seemingly were working in unexpected ways. Take Jon Agee as your example. If you’ve seen his Terrific or The Incredible Painting of Felix Clousseau then you are aware of his clean lines and sparse palette. Now consider a picture that consists of cars, people, dogs, pigs, motorcyclists, buses, etc. fleeing from three hungry look dinosaurs. And perched on the side of the road, not immediately apparent to the eye, stands a lone chicken. Or consider Harry Bliss. I was used to his New Yorker-like picture books like, Don’t Forget To Come Back that tend to have an innate sophistication to them. The last thing I would have expected was for him to come up with the answer, “Ask the mutated zombie chickens from Mars!”. But you know what? It works.

Children’s illustrators banding together to put together a book... it’s not a new concept is it? I mean, you can always find books like, Oz: The Hundredth Anniversary Celebration or The Art of Reading: Forty Illustrator’s Celebrate RIF’s 40th Anniversary. The problem with those titles, though, is that they’re really not produced with kids in mind. Far rarer is the picture book filled with different illustrators that kids might recognize and love. I’m not saying it’s never happened before. But name me three such books off the top of your head and I’ll be mighty impressed, if not utterly blown away. No, sir, this is an original idea and a classy little work. Consider this book to be an essential addition to any picture book collection. Funny and fabulous.

On shelves now.

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